Category: Blancpain Watches

Blancpain Air Command Replica

The Blancpain Air Command was originally produced by Blancpain in the 1950s, and was supposedly intended for use by the US Air Force, the US Navy having already adopted the 50 Fathoms diver’s watch. The Air Command was a flyback chronograph, constructed somewhat along the lines of the Type 20 spec, and supposedly 12 watches were made and offered to USAF pilots through Blancpain’s US distributor, Allen Tornek. It’s now an extremely rare grail watch for vintage  Blancpain Air Command   collectors – they’ve appeared at auction very rarely. One is coming up at Phillips Hong Kong later this month, with an estimate of $50-100,000; and prior to that, another one (not the same watch) hammered in 2016, also at Phillips (in the 88 Epic Stainless Steel Chronograph auction) for CHF 100,000. 
The lot notes for both watches are pretty much the same in the essentials. The catalogue essay for the 2016 auction reads, ” … scholars have asserted that it was never serially manufactured or commercialized,” and then continues, “Like many other Swiss manufacturers, Blancpain was hit by the quartz crisis and … had to sell many of its assets, including some unfinished watches. With only a handful of specimens of this mythical model known to have survived, it is hard to determine what the exact specifications of the Air Command are.”
It then goes on to say, “However, as some of the Air commands have Blancpain-signed movements, it is possible that examples like the one presented here have only been assembled and fitted with a Valjoux 222 after the sell-off of the cases, dials, bezels and pushers and hands.” While the origins of the original Air Command seem to be destined to remain a mystery (albeit if we had records from the era, many passionate collectors would doubtless be deprived of the pleasure of arguing with each other) it was a handsome flyback chronograph, with classic mid-century instrument-timepiece good looks, and Blancpain has in terms of cosmetics, stayed very close to the original.  Indeed, from the dial side, at first glance it would be difficult to distinguish one from the other. The new-for-2019 model is very slightly larger than the original (42mm, vs. 42.50 for the new model). The Arabics are larger in the new model (as is the crown), the word “Flyback” is present in a very subdued fashion on the new guy, and of course, the difference in chronograph pusher positioning gives away the newer movement. The new model has no running seconds, with a 12 hour counter where there was a running seconds on the original; but taken as a whole, it’s a pretty faithful reproduction, right down to the elongated 3-minute markers in the 30 minute register. The new watch, however, has a very different movement from the flyback Valjoux caliber 222 in the vintage model. It uses the Blancpain caliber F388B – this is a column-wheel controlled, flyback automatic chronograph with vertical clutch, and which runs at 5 hertz, or 36,000 vph, giving the chronograph a 1/10 of a second resolution. 
If you’re going to do an homage to a vintage model this is a great way to do it. What a lot of us love about vintage watches is, yes, the nostalgia they can evoke, but of course functionally vintage watches are generally inferior to their modern counterparts, especially with the advances in materials technology, lubricants, gaskets and seals, and movement design which the last ten or fifteen years have brought us. The overwhelming tendency from a design standpoint, from modern brands, seems to be to use ecru Super-LumiNova (somewhat ironically, it turns out that “ecru” actually means “raw” or “unbleached”) in an effort to reproduce the look of yellowed radium or tritium paint, but as Jason Heaton mentioned in one of his stories for us, you don’t necessarily have to see this as an attempt to drape oneself in borrowed glory – at this point, and despite the fact that “fauxtina” is a term that seems to be here to stay, you can as easily look at it as just another color choice if you want. 

While the new  Blancpain Air Command really succeeds in general of capturing the charm of the original vintage model, the one other niggle I can see folks having with it is the propeller-shaped rotor. This is the sort of thing that tends to come across as either an annoying bit of kitsch, or a harmless bit of fun, depending on who you are (and maybe on which side of the bed you got out of this morning). Propeller-shaped winding rotors on aviation-themed watches are, like ecru lume, present in large enough numbers that I personally don’t object to them as much as I did even a few years ago (perhaps this is just a sign of age-related resignation, but I can’t manage to rouse much outrage about it). The rotor in the Air Command is reasonably well done, anyhow, and the rather sober brushed finish the red gold has been given, is pleasantly harmonious with the style in which the rest of the movement has been finished. A propeller on a watch whose design originated in the 1950s is a bit of an anachronism, as by the early 1950s most air forces were falling over themselves trying to switch as fast as possible to jet aircraft, but it’s still a handsome looking rotor.

All praise, incidentally, to  Blancpain Air Command   for omitting a date window – normally I don’t mind them but a date guichet would have been jarringly out of place on this watch (ditto for sticking to a two-register design). Overall, this is a very respectful as well as faithful homage to one of the most interesting, to say nothing of mysterious, vintage Blancpain watches, and the use of modern materials and a modern movement adds significantly to the appeal. These will be produced in slightly larger numbers than the very few surviving vintage  Blancpain Air Command watches – Blancpain is offering this watch as a 500 piece limited edition.

Blancpain Fifty Fathoms Bathyscaphe Quantième Complet Phases de Lune

Expanding on a dive watch collection — especially one with such a rich history as the Replica Blancpain Fifty Fathoms — is a challenge at the best of times. Do you stick to classic tool watch roots? Do you step outside the box with a complication or design with more commercial appeal? Do you start toying with unorthodox case materials? There are a lot of ways to go here, and as we’ve seen year after year, the results can be fantastic, just as easily as they can be questionable. We’ve seen Blancpain take some interesting approaches with the Fifty Fathoms Bathyscaphe collection recently, including the blue ceramic-cased flyback chronograph Ocean Commitment II, but for 2018 we were presented with a couple of very unexpected dive watches from the longstanding brand. The most curious is the complete calendar moonphase (Quantième Complet Phase de Lune, per the brand), taking the classic 43mm satin-brushed Bathyscaphe case, and fitting it with a very vintage-y dressy-feeling triple calendar moonphase complication. It’s weird, it’s confusing, it’s the first and only diver with this complication, but it also makes the mind roam to the much-loved phrase: “That’s so crazy, it just might work!” Will it? Let’s find out.
Of the many details about this latest release, its case design is the least altered when compared to prior Bathyscaphe watches. Entirely brushed in finish, as would be expected of a proper tool Replica Blancpain Fifty Fathoms , the only noteworthy change to the 43mm steel case of the Complete Calendar Moonphase is the addition of a pair of corrector pushers located on the case barrel around the 2 and 4 o’clock position. On one hand, the idea of adding pushers to a 300m dive watch sounds a little sketchy, but in practice we don’t suspect they will cause any issues with water resistance. For one, these will not (we can say will not, and not just might not) engage in serious diving, and flyback chronograph variants of the Bathyscaphe already use non screw-down pushers, at this depth rating, so there’s really nothing to be concerned about here.
Here’s where we get to the good stuff, as there’s a lot going on on the Complete Calendar Moonphase dial. Compared to a conventional 3-hand Bathyscaphe diver, the slate grey sun-brushed dial is definitely a little busy, though it kind of works. Blancpain stuck with the traditional triple calendar moonphase configuration, with the day and week near 12, a pointer date indication, and a large moonphase indication at 6 o’clock. This is a configuration the brand has been using for some time now in the Villeret, though to make it work in the Bathyscaphe is a relocation of its pointer date track. Rather than having this indication at the outer perimeter of the dial, it has been moved inbound of its hour indices. This helps ensure that its minute track is free of clutter when its timing bezel is in use.
As we’ve mentioned, this is a complication the brand has been using for quite some time, and the caliber 6654.P is by no means a new addition to the brand’s repertoire. That said, it’s a well-executed caliber, good for a power reserve of 72 hours, and fitted with a blackened 18k gold decorated rotor. A minor tweak was required to relocate its corrector pushers to the side of its case (rather than between the lugs, as we see in the Villeret line), but otherwise this is a case of grab a caliber from the shelf and find it a new home.
The Blancpain Fifty Fathoms Bathyscaphe is one of those watches that quickly reminds its wearer that case diameter spec is not a good benchmark of how a watch will be on the wrist. At 43mm across, I wasn’t expecting it to be quite as chunky on the wrist; however (thankfully), it still wasn’t overpowering. The piece was launched on bracelet, NATO, and a sailcloth canvas, the latter of which has consistently proven very comfortable. Its bezel action is as expected from one of the most well-respected dive watch manufacturers out there, and the same can be said for its brightly glowing Super-LumiNova indices.
Spending some time with the Complete Calendar Moonphase, to be frank it took some time for me to warm up to it. Aesthetically, it’s a mighty sharp looking piece, and I’m a fan of how well executed the calendar complication was integrated into a dive watch. At its root, the hangup is entirely the melding of a dress watch complication and a tool watch case. That said, I soon realised how foolish the hangup was. Crossing design codes is something I’ve often encouraged in other categories, and once again acknowledging that this new Replica Blancpain Fifty Fathoms is not meant as a pure tool watch per se … where’s the real harm, right? It’s a sharp-looking watch, it has practical complications, and it’s built to Blancpain’s exacting standards. This is certainly worth a second look if you’re in the market for an out-of-the-ordinary diver from a legacy brand.

Blancpain Air Command

The Blancpain Air Command was originally produced by Blancpain in the 1950s, and was supposedly intended for use by the US Air Force, the US Navy having already adopted the 50 Fathoms diver’s watch. The Air Command was a flyback chronograph, constructed somewhat along the lines of the Type 20 spec, and supposedly 12 watches were made and offered to USAF pilots through Blancpain’s US distributor, Allen Tornek. It’s now an extremely rare grail watch for vintage Blancpain collectors – they’ve appeared at auction very rarely. One is coming up at Phillips Hong Kong later this month, with an estimate of $50-100,000; and prior to that, another one (not the same watch) hammered in 2016, also at Phillips (in the 88 Epic Stainless Steel Chronograph auction) for CHF 100,000. The lot notes for both watches are pretty much the same in the essentials. The catalogue essay for the 2016 auction reads, ” … scholars have asserted that it was never serially manufactured or commercialized,” and then continues, “Like many other Swiss manufacturers, Blancpain was hit by the quartz crisis and … had to sell many of its assets, including some unfinished watches. With only a handful of specimens of this mythical model known to have survived, it is hard to determine what the exact specifications of the Air Command are.”
It then goes on to say, “However, as some of the Air commands have Blancpain-signed movements, it is possible that examples like the one presented here have only been assembled and fitted with a Valjoux 222 after the sell-off of the cases, dials, bezels and pushers and hands.” While the origins of the original Air Command seem to be destined to remain a mystery (albeit if we had records from the era, many passionate collectors would doubtless be deprived of the pleasure of arguing with each other) it was a handsome flyback chronograph, with classic mid-century instrument-timepiece good looks, and Blancpain has in terms of cosmetics, stayed very close to the original. Indeed, from the dial side, at first glance it would be difficult to distinguish one from the other. The new-for-2019 model is very slightly larger than the original (42mm, vs. 42.50 for the new model). The Arabics are larger in the new model (as is the crown), the word “Flyback” is present in a very subdued fashion on the new guy, and of course, the difference in chronograph pusher positioning gives away the newer movement. The new model has no running seconds, with a 12 hour counter where there was a running seconds on the original; but taken as a whole, it’s a pretty faithful reproduction, right down to the elongated 3-minute markers in the 30 minute register. The new watch, however, has a very different movement from the flyback Valjoux caliber 222 in the vintage model. It uses the Blancpain caliber F388B – this is a column-wheel controlled, flyback automatic chronograph with vertical clutch, and which runs at 5 hertz, or 36,000 vph, giving the chronograph a 1/10 of a second resolution.
If you’re going to do an homage to a vintage model this is a great way to do it. What a lot of us love about vintage watches is, yes, the nostalgia they can evoke, but of course functionally vintage watches are generally inferior to their modern counterparts, especially with the advances in materials technology, lubricants, gaskets and seals, and movement design which the last ten or fifteen years have brought us. The overwhelming tendency from a design standpoint, from modern brands, seems to be to use ecru Super-LumiNova (somewhat ironically, it turns out that “ecru” actually means “raw” or “unbleached”) in an effort to reproduce the look of yellowed radium or tritium paint, but as Jason Heaton mentioned in one of his stories for us, you don’t necessarily have to see this as an attempt to drape oneself in borrowed glory – at this point, and despite the fact that “fauxtina” is a term that seems to be here to stay, you can as easily look at it as just another color choice if you want.
While the new Blancpain Air Command really succeeds in general of capturing the charm of the original vintage model, the one other niggle I can see folks having with it is the propeller-shaped rotor. This is the sort of thing that tends to come across as either an annoying bit of kitsch, or a harmless bit of fun, depending on who you are (and maybe on which side of the bed you got out of this morning). Propeller-shaped winding rotors on aviation-themed watches are, like ecru lume, present in large enough numbers that I personally don’t object to them as much as I did even a few years ago (perhaps this is just a sign of age-related resignation, but I can’t manage to rouse much outrage about it). The rotor in the Air Command is reasonably well done, anyhow, and the rather sober brushed finish the red gold has been given, is pleasantly harmonious with the style in which the rest of the movement has been finished. A propeller on a watch whose design originated in the 1950s is a bit of an anachronism, as by the early 1950s most air forces were falling over themselves trying to switch as fast as possible to jet aircraft, but it’s still a handsome looking rotor.
All praise, incidentally, to Blancpain Air Command for omitting a date window – normally I don’t mind them but a date guichet would have been jarringly out of place on this watch (ditto for sticking to a two-register design). Overall, this is a very respectful as well as faithful homage to one of the most interesting, to say nothing of mysterious, vintage Blancpain watches, and the use of modern materials and a modern movement adds significantly to the appeal. These will be produced in slightly larger numbers than the very few surviving vintage Air Command watches – Blancpain is offering this watch as a 500 piece limited edition.

Blancpain Fifty Fathoms Bathyscaphe

I’ll admit my bias up front: I have a serious soft spot for Blancpain Fifty Fathoms Bathyscaphe. I don’t think enough people give the company the credit it deserves for the role it played in the late 1980s revival of the mechanical watch industry.

I recently backed up that belief by purchasing an early-2000s Leman Ultra-Slim, from HODINKEE Pre-Owned. Four months later, I’m still absolutely smitten with my new-to-me watch, but I’ll admit that I never expected a Leman to be the first Blancpain to make its way into my collection. I assumed it would be a Fifty Fathoms dive watch, because – like many collectors today – that’s the product I most associate with Blancpain.
Thirty years ago, you would have thought that statement was crazy. A watch collector in 1992 would only know vintage examples of the Fifty Fathoms. It’s true – the Fifty Fathoms has only recently held a permanent place in Blancpain’s catalog since 2007, when it re-emerged after disappearing from production at some point in the 1970s, following its heyday in the ’50s and ’60s.

The design and technical principles of the original 1953 Fifty Fathoms laid the groundwork for the ISO 6425 standard, which now governs whether or not a watch is suitable for professional diving – and yet, the Fifty Fathoms collection laid mostly dormant for decades. Since 2007, however, Blancpain has made up for lost time. The current selection of Fifty Fathoms watches is more diverse and accessible than at any other point in its history.
That’s alright with me. I own more dive watches than I know what to do with, something I’m sure I’m not alone in, and the Fifty Fathoms has always represented an endgame in appreciating the category for me. (In other words, while some collectors go crazy for MilSubs, I’ve generally been the guy jabbering about moisture indicators.)

But it took me a while to realize just how cool the latest addition to the Blancpain Fifty Fathoms Bathyscaphe is. It’s not a precise reissue of some forgotten Bathyscaphe, which is a secondary line within the greater Fifty Fathoms family, and it’s not a collaboration with the HODINKEE team. What it does do, however, is adjust the course that the already smooth-sailing Fifty Fathoms is on to reach even greater heights.
The Blancpain Fifty Fathoms Bathyscaphe is the younger, slimmer (and debatably hotter) sibling to the original mainstream Fifty Fathoms watch. Named after the deep-diving submersible invented by the Swiss physicist and explorer Auguste Piccard, the original Bathyscaphe dive watch was introduced in 1956 as the civilian complement to the more professional Fifty Fathoms. It came in a smaller size and was targeted toward the recreational diving market. After officially reintroducing the Fifty Fathoms into serial production in 2007, Blancpain continued to build out the collection. Six years later, for the 60th anniversary of the first Fifty Fathoms, in 2013, Blancpain unveiled an entirely new production series within the Fifty Fathoms line – the Fifty Fathoms Bathyscaphe. These watches maintained the core conceit of the original Bathyscaphe, with a smaller diameter and more accessible price point, and zero loss in technical proficiency or professional specification.

Using the Bathyscaphe’s now-signature 43mm × 13.45mm case profile, Blancpain has once again retrofitted the dive watch by introducing a grade 23 titanium case and topping it off with a sleek grey dial featuring some serious vertical brushing.

It’s not just the dial that’s grey. The whole watch has been rendered in a monochromatic greyscale, except for the use of off-white Super-LumiNova (it’s a lighter shade than what I’d typically characterize as faux-patina) on the hands and hour markers and the red tip of the seconds hand. The case has a slightly darker grey tone compared to the anthracite shade on the dial, featuring a completely matte decoration. The self-winding caliber 1315 inside has the same soft satin sheen, with a soleil finish on the bridges, plus the gunmetal-tone solid-gold rotor. Over on the dial side, even the date aperture is completed by a grey background! Grey is great – but let’s revisit that case metal. The choice of titanium is a fun one for Blancpain fans. It could be considered a bit of an inside-baseball nod to the first year of production for the current-gen Blancpain Fifty Fathoms Bathyscaphe , when a 43mm ceramicized (AKA, ceramic-coated) titanium edition, the ref. 5000-12C30-NABA, debuted alongside the original 38mm and 43mm stainless steel models. Although it was included as part of the Bathyscaphe’s initial 21st-century revival, it was only produced for a short period and very few ended up in the hands of collectors. As a result, it’s become one of the most sought-after and collectible Blancpain watches of the 21st century.

Blancpain Fifty Fathoms No Radiations

Perhaps no other segment of watches generates more debate, more snobbery, or higher prices than vintage dive watches. Even within a single brand, the different models and variations seem to be endless, and this creates a hierarchy from most to least desirable. While Rolex often dominates the conversation, Blancpain’s Fifty Fathoms has a more substantial historical claim, and the Blancpain Fifty Fathoms Aqualung “No Radiations” version is one of the most sought after.
The Blancpain Fifty Fathoms is the progenitor of the modern dive watch. The watch was developed as a collaboration between Blancpain and elite French divers—nageurs de combat—who required a watch with perfect legibility, robust construction, and the ability to measure dive times precisely. Prior to its introduction in 1953, watches had featured luminous dials and ever-increasing water resistance, but the Fifty Fathoms was the first to affix a unidirectional rotating bezel to meet the dive timing requirement. As an added perk, the watch featured an automatic movement, another first for such a watch.
When the Blancpain Fifty Fathoms was introduced, radium paint was used on the dials as its radioluminescence allowed for a bright, constant glow. By the 1960s, knowledge of the dangers of radium coupled with the Cold War pushing the world to the brink of nuclear disaster, the use of radium as no longer acceptable in the public eye. While radium remained in use in military applications, tritium paint became the preferred material for civilian watches. When Blancpain made the Fifty Fathoms commercially available in the 1960s, they wanted to make clear that the watch was safe, and so created a dial that boldly showed just that.
The Blancpain Fifty Fathoms “No Radiations” features a 41mm case that is fully polished. The design of the case itself is rather unremarkable: flat sides with gently downsloped lugs that feature blocked ends. While one might expect a screwdown crown, Rolex still had the patent to that technology in the 1960s. So Blancpain achieved its roughly fifty fathoms of water resistance (roughly 91m or 300ft) by installing a pair of gaskets in the crown. Furthering the water resistance is a screwdown caseback, with the usual branding and text. Around the acrylic crystal is a knurled bezel with a Bakelite bezeinsertl. Unlike many of its contemporaries, the Fifty Fathoms’ bezel is not graduated and features a combination of short and long hashes, Arabic numerals, and a triangle at 60/0. Finding an example with an intact bezel can be a challenge, as Bakelite was notoriously brittle and prone to cracking (while it was used on dive watches well into the 1970s, Rolex had already discontinued its use by 1956).
The “No Radiations” features a glossy black dial with a minute/second track and tritium hour indices in a combination of batons, circles, and a 12 o’clock diamond. Just outside of the minute/second track at 5 o’clock is the tritium indication, “T<25 MC.,” meaning that the watch emits less than 25 millicuries of radiation—a harmless amount. The white, pencil-style hands are also infilled with tritium, and the seconds hand features a lumed tip. As is common with vintage luminescent paint, one can expect the material to discolor from its original white to a brown-yellow tone (modern reissues often try to imitate this with “Old Radium” lume).
At 12 o’clock, the Blancpain name and Fifty Fathoms model are applied in block letters and script, respectively. Just below, the “Aqua-Lung” branding is printed in white script. The Fifty Fathoms was primarily made available to professionals, and as such was commonly sold through dive equipment outlets, which often cobranded their pieces. The most famous of these was Aqua-Lung, owned by Jacques Cousteau. At 6 o’clock is the namesake mark, a crossed out radioactive warning symbol with “NO RADIATIONS” printed on the lower arc.
The Blancpain Fifty Fathoms “No Radiations” features an automatic Blancpain R310 automatic movement, chosen to avoid the unnecessary crown and gear wear a handwound movement would cause. The R310 was in fact a Blancpain-branded A. Schild AS1700 movement. A. Schild was a massive movement manufacture all the way through the 1970s and created exceptionally reliable calibers (it’s not unheard of to encounter an old unserviced A. Schild movement running without issue). The Blancpain R310/AS 1700 movement features 17 jewels, a 41-hour power reserve, and antishock protection while beating at 18,000 vibrations per hour. Further, the movement is protected by an antimagnetic shell, hidden by the solid caseback.
The 1960s saw a surge in dive watches, and as such, vintage pieces are widely available. That said, finding the right watch in the right condition can be a challenge. As it was with Blancpain, Rolex and Omega shifted to tritium dials (in 1963 and 1964, respectively). The closest contemporary that isn’t simply another Fifty Fathoms, would be either a Rolex Submariner or an Omega Seamaster from the same era. Of course, Blancpain has revisited many of their original Fifty Fathoms designs with modern recreations.
The Blancpain Fifty Fathoms “No Radiations” is a historical piece not just as a dive watch, but on a larger scale as well: It acted as a symbol of an age when public fear of radiation was at its height and overtly marked the watch industry’s shift away from radium. Such a watch would be a perfect fit in the collection of a watch lover who not only treasures the early days of dive watches and unique dials, but also has an interest in that Cold War era.
The Blancpain Fifty Fathoms “No Radiations” is perhaps the most engaging Fifty Fathoms model ever released, and obtaining one is no easy task. With its timeless design, list of firsts, and historic importance, one simply can’t go wrong.

BlancpainAir Command Flyback Chronograph

The Air Command collection is inspired by a highly sought-after 1950s Blancpain chronograph that was produced in tiny quantities. In the slipstream of its predecessor, the new Air Command model features sophisticated styling and offers two distinct timing modes: a chronograph with flyback function and a countdown bezel.

Born in the mid-1950s, the Blancpain Air Command Flyback Chronograph is probably the rarest Blancpain watch of its era. The only existing traces of its past are the few snippets of information sporadically gathered at auctions – where Air Command pieces have fetched stratospheric prices – and the scattered memories treasured by the descendants of the great 1950s Blancpain “family”.

Blancpain’s new Air Command, which is joining the eponymous collection, fully reflects the spirit of the vintage pilot’s watch. It features a flyback chronograph and a countdown-type rotating bezel. The flyback function is a valuable element for pilots, as it enables them in a single press to reset the current timing operation and start a new one while the chronograph is running. With a conventional chronograph, each new measurement requires three presses – on two separate pushers – to stop, reset and restart the mechanism. The purpose of the countdown bezel is to indicate the time remaining until the destination is reached. Its numerals or hour-markers run counter-clockwise, unlike those on the bezel of a diver’s watch. The Blancpain Air Command Flyback Chronograph Command also has a tachymeter scale indicating ground speeds, a 30-minute counter with three elongated markers marking three-minute increments and a 12-hour counter.

Blancpain has chosen to highlight these indications by means of a deep blue colour that energises the character of the watch, instilling the perfect touch of modernity. The dial is enhanced by a fine sunburst pattern, while the chronograph counters are finely snailed. This contrast heightens the legibility of the timepiece, which is optimal for both day and night thanks to the use of Super-LumiNova on the hands and hour-markers. This luminescent material is also found on the watch’s bezel, which incorporates a scratch-resistant ceramic insert matching the dial colour. Further intensifying the emotions procured by a timepiece of this nature, Blancpain Air Command Flyback Chronograph has equipped both sides of its Air Command model with a “glass box” sapphire crystal, a strong aesthetic element of 1950s models.

The back of the watch reveals the Manufacture F388B movement (a variant of the F385), distinguished by a free-sprung silicon balance oscillating at a frequency of 5 Hz. The design reflects Blancpain’s philosophy of both precision and robustness. The free-sprung balance-and-spring assembly regulated by inertia screws was conceived to facilitate fine adjustments and increase shock-resistance. Compared to generally used metal balance-springs, the silicon balance-spring is insensitive to magnetic fields and guarantees greater precision throughout the power reserve. The 5 Hz frequency not only contributes to improved accuracy, but also enables a clear division of the seconds into 1/10th intervals. The F388B movement comprises a column-wheel system with a highly advanced Blancpain vertical clutch ensuring perfect starting and stopping without the jerks that occasionally occur with horizontal constructions. It is self-winding and topped by an openworked gold oscillating weight with a snailed finish identical to that of the calibre’s bridges. This aesthetic coherence is accentuated by the colour of the rotor, which matches that of the watch case.

Available in red gold or grade 23 titanium – a high-end variety rarely used in watchmaking – the 42.5 mm-diameter case is water-resistant to 3 bar (approximately 30 metres). Alternating between satin-brushed and polished surfaces, such as on the outer edges of the lugs and the contact surfaces of the pushers, it reveals a refinement that confirms the prestigious character of the new Air Command. The model is paired with a blue calfskin strap featuring white stitching and setting the final touch to the sporty look of this pilot’s watch.

Blancpain Fifty Fathoms Tourbillon 8 Jours

There’s no shortage of history when it comes to Blancpain, the Blancpain Fifty Fathoms Tourbillon 8 Jours line is an embodiment of that statement. Originally conceived and coming to fruition in 1953, this dive watch has a status of legendary proportions. Revived in 2003, it’s not until 2007 that the Tourbillon 8 Jours was introduced. Now Blancpain introduces new models in the Tourbillon 8 Jours collection, one in titanium and the other in a red gold case with varying options for strap and bracelet.
The Blancpain Fifty Fathoms Tourbillon 8 Jours case in the titanium version is built with lightweight grade 23 titanium, which is pleasantly lightweight. The red gold version has an aura of warmth and tradition around it. The case in both the models, being in hefty 45 mm diameter, has a satin-finished, giving the watch a very sporty look.
A tourbillon in a dive watch is unusual, but regardless, it’s presented beautifully via a dedicated opening at noon, or where a 12 o’clock numeral would’ve been if not for the tourbillon display opening. The dial has a charming blue color that has a sunburst effect for some added charisma. Unlike the earlier models, the new Tourbillon 8 Jours has done away with a power reserve and it results in a cleaner and more clutter-free dial. The 60-minute domed sapphire bezel is unidirectional, the domed sapphire crystal serves well to protect the dial. The bezel displays the large Arabic numerals at 3, 6 and 9 o’clock and the numerals and the hands are applied with lume for clear readability in darkness or in low light conditions. The notched edge gives bezel added grip with a unidirectional rotation system. The models are water-resistant to 30 bar, which is approximately 300 meters.
Housing inside the case is Calibre 25C, which is a self-winding movement with thickness of 4.85 mm and with a diameter of 26.20 mm. The movement beats at 3Hz and has a healthy power reserve of 192 hours or 8-days. The Blancpain Fifty Fathoms Tourbillon 8 Jours sapphire crystal caseback reveals the movement, which features Côtes de Genève decoration on the bridges and has 29 jewels.

Blancpain Ladybird

Color is coming back to luxury watches in a big way, infusing even high-end mechanical collections like Blancpain’s Ladybird Colors with a fashion-watch feel. The fashion flair is all in the alligator straps, which come in a candy-store selection of colors: peacock green, midnight blue, satin white, lemon yellow, tangerine orange and lilac.
The dials are, by contrast, fairly minimalist in the tradition of dress watches. A mother-of-pearl background is topped by applied Arabic numerals and leaf-shaped hands. But there is some dazzle. The watch is decorated with 59 diamonds weighing more than two carats, including an inner ring of small diamonds on the dial, and larger diamonds set into the bezel and lugs. The diamonds on the bezel are bead-set between rows or “fillets” of hollowed out metal, to allow the maximum light return – so the diamonds really sparkle. The crown is set with a single rose-cut diamond. The 34.9mm case comes in either red or white gold.
The collection is Blancpain Ladybird tribute to its heritage as a maker of ladies’ mechanical watches and its support of women. As an example, the brand cites its appointment of Betty Fiechter in 1921 as the first female CEO of a leading watch company. “Her love of watchmaking was matched only by her belief that a woman needs finery to be properly dressed,” says a Blancpain statement. “She paved the way for the creation of the first automatic wristwatch for women, the Rolls, and the original Ladybird model in 1956.” It contained what was, at the time, the world’s smallest round movement.
The collection is Blancpain Ladybird tribute to its heritage as a maker of ladies’ mechanical watches and its support of women. As an example, the brand cites its appointment of Betty Fiechter in 1921 as the first female CEO of a leading watch company. “Her love of watchmaking was matched only by her belief that a woman needs finery to be properly dressed,” says a Blancpain statement. “She paved the way for the creation of the first automatic wristwatch for women, the Rolls, and the original Ladybird model in 1956.” It contained what was, at the time, the world’s smallest round movement.
The Ladybird has an important place in Blancpain Ladybird history. It was introduced in 1956 as the smallest round watch for Ladies quickly becoming a worldwide hit (for more you can read our “The History of Blancpain” feature article).

In 2021, Blancpain is presenting the Ladybird Colors, 7 new variations characterised by white mother-of-pearl dials adorned with slightly rounded applied gold Arabic numerals forming an asymmetrical hour circle crowned by the number 12 and highlighted by a band of diamonds. The hours and minutes hands are shaped like hollowed-out sage leaves.

Blancpain Tribute to Fifty Fathoms No Rad for Only Watch

The Tribute to Fifty Fathoms No Rad watch revisits a Blancpain diving instrument from the mid-60s, which was notably used by the German Navy’s Combat Swimmers. The latter has the characteristic feature of a stamp on the dial with a “no radiations” logo indicating that Blancpain did not use luminescent materials composed of radium – a highly radioactive element declared harmful to health. This distinctive symbol has forged the success of this timepiece, which has become one of the most sought-after Fifty Fathoms watches among collectors.

The model created for Only Watch is characterised by a chapter ring, hands and a bezel time scale featuring orange-coloured Super-LumiNova. Bespoke to this special piece, this acidulous shade refers to the colour representing the 2021 edition of Only Watch. The dominant element on the dial remains the “no radiations” logo, whose original yellow and red colours have been replaced by orange and yellow, respectively.
Founded in 1735 by Jehan-Jacques Blancpain in the Swiss Jura, Blancpain is known as the world’s oldest watch brand. Loyal to its tradition of innovation and confirmed by countless horological complications invented over the years, the Manufacture is constantly pushing the boundaries of watchmaking to take this art to places where it has never been before. Today, Blancpain pursues its enduring commitment to the renewal of mechanical horology. From creating components to designing watches, Blancpain is distinguished by its capacity to develop exceptional timepieces, which are the results of its master-watchmakers’ creativity and passion. This philosophy is conveyed through each of the brand’s creations and all its collections, including the classic Villeret, the legendary Fifty Fathoms diver’s watch or the delicate women models.

Blancpain Tribute to Fifty Fathoms No Rad for Only Watch

blancpain léman tourbillon semainier

Blancpain Léman Tourbillon Semainier

Programmi sempre più fitti, una serie continua di meeting, agende piene di appuntamenti scandiscono il ritmo della società in cui viviamo. Le ore passano e i tempi cambiano. Il ritmo della vita accelera e riduce l’orizzonte temporale.

Il meglio in orologeria si riassume in tre elementi: complessità meccanica, semplicità d’uso e utilità delle indicazioni. Il Léman Tourbillon Semainier, nato dal know-how della Manifattura di Le Brassus, risponde perfettamente a questi requisiti, con una ‘combinazione di complicazioni’ introdotta dal Calibro 3725G e dai 356 elementi che lo compongono.

Più che un orologio è un concentrato della filosofia di ‘tradizione di innovazione’ applicata dai maestri orologiai Le Brassus, riflettendo pienamente questa realtà contemporanea.
Un calibro inedito e complesso, dato dall’abbianmento di complicazioni orologiere di Blancpain, offre indicazioni utili nel quotidiano e soddisfa le esigenze di una vita attiva. Alla visualizzazione di ore, minuti e secondi, all’indicazione della riserva di carica e al tourbillon volante visibile al 12, il Léman Tourbillon Semainier affianca il giorno della settimana, il grande datario e la ripartizione dell’anno su scala settimanale. Quest’ultima informazione, davvero molto apprezzata, è riportata da una lancetta centrale che punta su uno dei numeri posti all’esterno del quadrante.

Per creare tale danza meccanica del tempo, gli artigiani della Manifattura hanno sviluppato il Calibro 3725G, un movimento a carica automatica con tourbillon e riserva di marcia di 7 giorni. Un
concentrato di ingegnosità, che riunisce in uno spazio ristretto ben 356 componenti. Caratteristiche
esclusive dei pezzi di alta orologeria, l’anglage di ponti e platine, le decorazioni Côtes de Genève e il perlage, tutte lavorazioni svolte manualmente all’interno degli atelier di Blancpain.

Il Léman Tourbillon Semainier è presente in due versioni in edizione limitata; della versione in platino, abbinata al quadrante nero, sono disponibili 88 pezzi mentre di quella in oro rosa, con il quadrante opalino sono 188 i pezzi prodotti.
Entrambe le versioni hanno la cassa di 40 mm, sono impermeabili fino a 100 metri e sono dotati di fondello con oblò in vetro zaffiro, che consente di ammirare le accurate finiture dei componenti. Il cinturino in coccodrillo nero è completato da una fibbia déployante rispettivamente in platino o in oro rosa.
The prime qualities one expects from horological complications are mechanical complexity, user-friendliness and useful information. These three criteria are fully met by the new Tourbillon Semainier in the Léman collection, born from the know-how of the master-watchmakers of the Manufacture in Le Brassus. This unusual combination of complications beats to the rhythm of the new Calibre 3725G and its 356 components.

These days the hours simply rush by and times are rapidly changing. The rhythm of active life is accelerating, and the time line is shrinking. Schedules are full, appointments follow each in other quick succession and diaries are packed. All these elements mark the cadence of the typically hyper-active society in which we live.

Taking account of this contemporary reality, the new Blancpain Tourbillon Semainier in the Léman collection is a concentrated blend of the “tradition of innovation” philosophy consistently applied by the Manufacture in Le Brassus. This combination of horological complications, unusual for the brand, merges tradition with contemporary requirements. It draws upon the know-how cultivated by the master-watchmakers of the venerable House in order to offer a new complex calibre providing indications that are useful in everyday activities and meet the demands of an active lifestyle. In addition to showing the hours, minutes and seconds, the power-reserve and featuring majestic flying tourbillon placed at 12 o’clock, the newcomer to the Léman collection also displays the day of the week, the date (Grande Date) and the week of the year. Much appreciated in today’s world, the latter item of information is indicated by a central hand pointing to one of the numbers appearing around the rim of the dial. Its numbering from 1 to 53 serves as a reminder that some years have 53 weeks according to official schedules; this will be the case in 2009 and then in 2015, 2020 and 2026, to mention only the nearest dates.

To give life to this mechanical dance of time, the master-watchmakers of the Manufacture have developed the new calibre 3725G, a mechanical self-winding tourbillon movement with a 7-day power-reserve. This spectacular embodiment of ingenuity comprises 356 parts. As one would expect from Haute Horlogerie creations, Blancpain’s master-craftsmen perform the delicate finishing operations – bevelling of the bridges and plates, the Côtes de Genève decorations and circular graining – entirely by hand.

The Tourbillon Semainier cornes in a case with a 40 mm diameter for enhanced legibility, crafted in 950 platinum with a black dial or in 18-carat red gold with a opaline-white dial. Its water-resistance is guaranteed to 100 metres and its sapphire crystal case-back enables one to admire the finishing work lavished on all the components. The black or brown crocodile leather strap is fitted with a platinum or red gold folding clasp.

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